Straddling the line between functional object and sculptural provocation, this ceramic table by British artist Francis Hewlett exemplifies the playful subversion of form characteristic of the late 1960s and 1970s. Rendered with anatomical precision and surreal wit, the piece transforms the domestic into a site of commentary on gender, embodiment, and artistic boundaries. Hewlett’s work here challenges viewers to confront the intimacy and absurdity of everyday objects reimagined as vessels of critique.
Find a video on our instagram through the following link
